Cruentus


Athens (Attica)
Dark Metal, Progressive Metal, Black Metal
Active:
1998-unknown

CRUENTUS was founded in 1998 by members of the Athenian Death Metal act EMBEDDED. The original lineup included: Comar (guitars – EMBEDDED), Mihalis (bass), Stathis (drums) and Damnien Desmodus (keyboards – EMBEDDED). At the outset, the band performed keyboard-centered Black Metal and recorded two tracks within this style (it is uncertain if these songs were ever released to the public). However, following the departure of Mihalis in 1999 – replaced by fellow EMBEDDED bassist Rohirrim – the band abandoned their previous style and shifted to purely instrumental music that aimed to recreate the dark and haunted atmosphere of old horror movies. The result can be heard on 2000’s demo “(mute)”, containing four interconnected compositions; still with keyboards as the main supplier of melody.

Compilation appearances:

d i s c o g r a p h y :

(mute) - Demo (CD/CDr) 2000 - Private (-)
(Studio unknown)
Details: -

Reissues:
TRACKLIST:
01 (instrumental)
02 (instrumental)
03 (instrumental)
04 (instrumental)
LINE-UP:
Comar (guitars)
Rohirrim (guitars, bass)
Stathis (drums, percussion)
Damnien Desmodus (keyboards)
After having dabbled in the Black Metal arts at the outset of their career, the Athian-based quartet CRUENTUS decided to take a decisive turn towards unexplored countries on their 2000 demo release “mute”. What’s on offer on these four, numerically-entitled and interconnected compositions is some form of instrumental, Progressive Dark/Gothic Metal that, according to the band, aims at re-creating the atmosphere of old horror movies. Try to imagine if Andrew Lloyd Webber would decide to make an instrumental and Metal-ized version of “Phantom of the Opera”.

Keyboards and lead guitars share the leading role backed up by churning rhythm guitars and a habile rhythm section that, thankfully, employs real and not programmed percussion. Overall, the main themes are engaging and dynamic enough for the listener to not be bothered (or bored) by the lack of vocals. The keyboard and guitars are not 100% synchronized, which cause some minor confusion from time to time, but not to any serious detriment of the end result. The production is surprisingly good for being a demo-level release.

I must say I’m quite intrigued by the idea of combining Metal and horror soundtracks. After all, Metal has much to owe to the latter, going as far back as BLACK SABBATH’s pioneering work back in the early-1970s. It would’ve been interesting to hear CRUENTUS attempt a more long-form work, which would allow for some form of narrative-driven songwriting process. This never took place, of course, since the band folded before releasing anything else.

Recommended to fans of the darker side of Progressive Metal, or Gothic/Horror music in general.

Written by Johan Pettersson




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